She has exhibited internationally in galleries and institutions and is the author of three monographs (As if it should have been a quarry, 2013, Damiani Editore and Pietra di Luce, 2019, Quants Editions, Crystalline Thresholds | Les Portes de Givre, Filigranes Editions). Mirlesse has participated in residency programs in North America, Europe, and Asia and has been invited to create several public artworks.
Mirlesse holds an MFA from Parsons the New School for Design in New York City. She received her Bachelor of Arts degree double majoring in Religion and English Literature from McGill University in Montreal, Quebec.
Additionally, she has contributed writing to The Paris Review, BOMB Magazine, Aperture, Art in America, The Happy Reader, FOAM, Frieze, The Brooklyn Rail, and the Pompidou Centre’s Les Cahiers du MNAM quarterly journal collecting more than thirty interviews over the last decade with various artists and curators as part of an ongoing long-term conversations series.
She teaches at the École Nationale Supérieure des Arts Décoratifs in Paris, and has been invited to participate in workshops and conferences at the Pompidou Centre, the Sorbonne, and the Beaux-Arts de Paris.
She is a studio resident at Poush in Paris and is Artist Laureate for the French Ministry of Culture’s Mondes Nouveaux prize. She currently has a solo exhibition on at Andréhn-Schiptjenko gallery in Stockholm concurrent with a site-specific installation conceived for the surrounding archipelago waters.